
Dreaming in the gallery
Here, where every corner is filled with stories and creative spirit, you will feel what it’s like to be part of a vibrant artistic space. Two rooms and a shared bathroom let you enjoy this uplifting aesthetic environment – for relaxation, inspiration, reflection.
Artist Room - Romeo Stubelj
Room for two:
17 m2
king size bed (160 cm x 200 cm)
shared bathroom
first floor, viewing the road
bathrobe, slippers, towels, water glasses, free wifi, welcome treat; sateen linen, medium-firm pillows
Overnight stay:
for one person: 110€
or two persons: 125€
ourist tax: 2,5€
Breakfast: 15€
Parking space: free parking in front of the house.
A share of the room rental income is used to support the artist.
ROMEO STUBELJ
In 2003 he graduated from the University of Maribor, Faculty of Education, majoring in art pedagogy under Prof. Otto Rimele. In the period 2004-2021 he was employed as an art teacher at a primary school, but for the last four years he’s been mainly working as an artist.
Stylistically and formally, Romeo’s art flirts with the Pop Art period, which is also explored in detail in his thesis. He is highly in tune with the collage technique, the subject of his research work. Collage appears in various forms; from the classical two-dimensional, as an art piece, video, useful object, all the way to conceptual designs and installations. His inspiration flows from architecture, fashion, design... from popular culture in general, often blurring the line between design/practical and (exclusively) artistic in his works, where transitions from the artistic to the useful and vice versa are common and desirable. The present three-dimensional collages/objects are created from fragments of discarded or used, mainly printed media. From such non-painting material, abstract compositions are assembled in which the artist plays with the elements inherent in the building blocks: colour, shape, texture, materiality... integrating their contradictions into effective wholes. As mentioned, the development of collage has led the artist to create entirely useful objects, including upholstered chairs. Like the collages these chairs consist of used or scrap materials (parts). With the various interventions or additions, they each speak to us with their own unique story. Romeo Stubelj is all about giving new life to things thrown away by the consumer, overlooked or paid little attention to, in new forms, in new contexts.
Showcase: Romeo Stubelj has been working mainly in prints (intaglio) between 2010 and 2018, and in 2012 participated in an international printmaking workshop in Urbino (Italy). In the same year, he exhibited his graphics at the Prints and Impressions at the International Centre of Graphic Arts (MGLC, Ljubljana). As a student of the printmaking master and mentor, he presented his graphics at the exhibition Bojan Kovačič and the School of Graphic Arts (National Gallery Ljubljana, 2019) and as a member of the Association of Art Educators of Primorska, at the Lokar Gallery in Ajdovščina (Unveiled Views, 2021). In mid-2019, he shifts his interest to collages and all that follows. His first such works were presented during the pandemic in a virtual exhibition with an international cast: Dialogs 2020 - Contemporary Connection Project. A more extensive body was showcased in a solo exhibition in Sežana; Bargain Buys (Kosovel Cultural Centre, 2022), and in the following year the Remains of Stories exhibition at the art incubator Alma Medana. He also had solo exhibitions at the Media Nox gallery (Maribor, 2004) and the Frnaža gallery (Nova Gorica, 2007) with the projects Pop Flirt and Pop Flirt 2. Other solo exhibitions include the group exhibition Vabljeni (Invited) at the DLUM gallery, and The Paganini of Typography – Workshop by David Carson (Maribor, 2002), followed by the Venice Photowalk by David Wilson in 2016. In 2023 his chairs were presented at the Ljubljana Ambience and Home Plus fair in the “Top Ideas” section. Romeo STUBELJ lives and works between Ajdovščina and Vrtojba, occasionally still teaching, lecturing and leading creative workshops.
Artist Room - Ana Žerjal
Room for two:
13 m2
queen size bed (140 cm x 200 cm)
shared bathroom
first floor, viewing the road
bathrobe, slippers, towels, water glasses, free wifi, welcome treat; sateen linen, medium-firm pillows
Overnight stay:
for one person: 85€
for two persons: 100€
tourist tax: 2,5€
Artworks in the room:
“Treehead #11” (wooden statue-smoke tree on a pedestal), 2025
“What do you See?” (blue booklet-observers’ sketchbook), 2025
“Hidden” (jute on canvas), 2025
“Blue Painting” (oxide on metal and blue paint), 2025
“Becomes Aware” (cloth coloured by metal oxidation and red cabbage), 2025
Breakfast: 15€
Parking space: free parking in front of the house.
A share of the room rental income is used to support the artist..
Born in Koper, a small Slovenian town on the Adriatic coast, on 8 August 1987. In 2012 she graduated from the Academy of Fine Arts and Design in Ljubljana, majoring in sculpture. Her artistic work is extensive and varied in many fields such as sculpture (wood, stone, metal ...), land art, public sculpture, forma viva, set design, stage prop design, costume design, painting, video and animation, performances, cultural festivals of music, visual arts and performance coordination, etc.
Her art is best described as a combination of artistic collaboration and exploration of different forms of expression, from visual or performing arts in various periods of artistic discovery to the practical applications of sculpture, be it wood, stone or steel, public art exhibitions, interventions, GPS sculptures or the methodology of incorporating plants into the field of sculpture, etc. Ana is constantly researching the factors and consequences of the environment where she lives and works in relation to the conditions of the world, striving to address the issues that arise in the space itself, especially their aesthetic and functional aspect.
CONCEPT AND WORKS
As a sculptor, I look for colours in my environment, extract them, bind them to different materials, overlay them with other colours and observe how they interact. Sometimes the gradients find me on their own, by pure chance of some other process. I paint with metals on metals, I paint with water, air and sun, I paint with time and chance, my painting surface breaks up and forms shades of colour, images and meanings. What one finds beautiful can also be simply the result of decay, rarely associated with the notion of beauty. I’m often asked by curious observers what the final painting represents, that frame when I decide to stop the process and capture it for eternity, or as long as the piece will live. My answer is always the same. “What do you see?”
ANA ŽERJAL










